tag:blogger.com,1999:blog-290726232024-03-05T17:00:50.610+01:00FERNANDO MARCOS FOTÓGRAFO / PHOTOGRAPHERUnknownnoreply@blogger.comBlogger115125tag:blogger.com,1999:blog-29072623.post-54428711304231413092015-06-15T22:54:00.001+02:002015-06-15T22:54:22.929+02:00PÍXEL de PLATA, simbiosis analógico-digital.<span style="font-family: Trebuchet MS, sans-serif;">Seguro que te atrae la fotografía analógica pero piensas que es complicada.</span><div>
<span style="font-family: Trebuchet MS, sans-serif;">Tienes curiosidad por revelar pero piensa que es un poco lío hacerlo en casa y, después, cómo lo amplío si no puedo disponer de cuarto oscuro.</span><div>
<span style="font-family: Trebuchet MS, sans-serif;">En SACAI te ofrecemos nuestro curso Píxel de Plata, para que salgas de toda duda y disfrutes de lo argéntico.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><a href="http://www.sacai.es/piacutexel-de-plata.html">http://www.sacai.es/piacutexel-de-plata.html</a></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #626262; font-family: Muli; font-size: xx-small; line-height: 21px;">Película Ilford Delta 100. EI100. Revelada con Paterson Acutol 1+4 para buscar elevada acutancia. Museo Reina Sofía. ©Fernando Marcos.<br /><br /><br /></span></td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-81570065241644718572015-05-17T13:19:00.000+02:002015-05-17T14:07:10.073+02:00"White Darkness" de Duato. Staatsballett de Berlín.<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;">Bailarina Krasina Pavlova. Foto Fernando Marcos. Diseño Bernardo Rivavelarde.</td></tr>
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<a href="http://www.staatsballett-berlin.de/en/spielplan/duato-kylian/20-05-2015/23">http://www.staatsballett-berlin.de/en/spielplan/duato-kylian/20-05-2015/23</a><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-35083483864043524322015-03-05T21:41:00.002+01:002015-05-14T19:42:42.208+02:00ARVO PÄRT. Tienes que amar a cada uno de los sonidos<div class="separator" style="clear: both; text-align: center;">
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<a href="http://www.hoyesarte.com/evento/2015/03/la-liberacion-llamada-arvo-part/">http://www.hoyesarte.com/evento/2015/03/la-liberacion-llamada-arvo-part/</a></h2>
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¡Que maravilla poder asistir al ensayo del concierto con el maestro presente!.</div>
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Uno de los momentos más importantes y emotivos en mi profesión de fotógrafo. La fotografía te lleva a lugares que de otra manera sería imposible, <i>gracias fotografía</i></div>
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En la proyección del documental <i>"Arvo Pärt 24 Preludes for a fugue (Dorian Supin, 2002)"</i> que pudimos ver en la filmoteca de Madrid, el maestro cuenta que esto fue lo que le dijo el portero de su casa en un momento de debilidad y duda compositiva:<br />
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<i> </i><b>Tienes que amar a cada uno de los sonidos</b></div>
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Cuanta sabiduría en esta frase tan sencilla, ahí esta condensado todo.</div>
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Recomiendo la lectura del excelente artículo que Ylenia Álvarez escribió sobre él en: <a href="http://www.hoyesarte.com/evento/2015/03/la-liberacion-llamada-arvo-part/">http://www.hoyesarte.com/evento/2015/03/la-liberacion-llamada-arvo-part/</a></div>
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<tr><td class="tr-caption" style="text-align: center;">Emocionante ver la admiración de los chicos hacia él. No solo las estrellas del pop tiene sus fans.<br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-26205098207361683772015-01-21T11:19:00.004+01:002015-01-21T11:19:49.013+01:00Górecki y Brueggergosman.<span style="font-family: Times, Times New Roman, serif;">Escuchar la <span style="background-color: #f9f9fa; color: #161614; font-size: 12px; text-indent: 1px;"> </span><span style="background-color: #f9f9fa; color: #333333; text-indent: 1px;"><span style="color: #161614;"><i>Sinfonía núm. 3, opus 36, «Sinfonía de las lamentaciones» </i> de<i> </i></span></span><span style="background-color: #f9f9fa; color: #333333; text-indent: 1px;"><span style="color: #161614;">Henryk Górecki te encamina hacia lo más profundo de los sentimientos que en esos momentos tengas a flor de piel.</span></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="background-color: #f9f9fa; color: #333333; text-indent: 1px;"><span style="color: #161614;">Interpretado por la simpática soprano </span></span><span style="background-color: #f9f9fa; color: #333333; text-indent: 1px;"><span lang="EN-GB" style="color: #161614;">M</span></span><span style="background-color: #f9f9fa; color: #333333; text-indent: 1px;"><span lang="EN-GB" style="color: #161614;">easha Brueggergosman es algo sublime.</span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><i><span style="background-color: #f9f9fa; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left; text-indent: 1px;"><span lang="EN-GB" style="color: #161614; font-family: Georgia;">M</span></span><span style="background-color: #f9f9fa; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left; text-indent: 1px;"><span lang="EN-GB" style="color: #161614; font-family: Georgia;">easha Brueggergosman</span></span></i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHuQHjwi8U2SfsLO8WvdugT4I2MP4eFwd1PfFN_T87A3sz6aXWq5xueF9RVlmvcx6b5G2lg7GpQtZO-6Lv4dJjHEfN4lqY5bj6Y8Be-i2NIL0JdY6W8qbltXCNbWqzr7L1c34f/s1600/_DSF1126.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHuQHjwi8U2SfsLO8WvdugT4I2MP4eFwd1PfFN_T87A3sz6aXWq5xueF9RVlmvcx6b5G2lg7GpQtZO-6Lv4dJjHEfN4lqY5bj6Y8Be-i2NIL0JdY6W8qbltXCNbWqzr7L1c34f/s1600/_DSF1126.jpg" height="457" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i><span style="background-color: #f9f9fa; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left; text-indent: 1px;"><span style="color: #161614; font-family: Georgia;">George Pehlivanian,</span></span><span style="background-color: #f9f9fa; color: #161614; font-family: Georgia; font-size: 12px; text-align: left; text-indent: 1px;"> </span><span style="background-color: #f9f9fa; color: #161614; font-family: Georgia; font-size: 12px; text-align: left; text-indent: 1px;">director</span></i></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i><span style="background-color: #f9f9fa; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left; text-indent: 1px;"><span lang="EN-GB" style="color: #161614; font-family: Georgia;">M</span></span><span style="background-color: #f9f9fa; color: #333333; font-family: Arial, Helvetica, sans-serif; font-size: 12px; text-align: left; text-indent: 1px;"><span lang="EN-GB" style="color: #161614; font-family: Georgia;">easha Brueggergosman</span></span></i></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7BFVKnaFgbUNIDE5Fr97DWzCUQSrNtCyiYVPkXAgjzbZ8SE6apFeFl1eOd5t6EzLn3zsEX_9Y8Lhapd330xibbb4JiRLte5nJMFZB6_DXM0KPyVYsIaZdV6r2Wrc9O8B2-JHU/s1600/_DSF1104.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7BFVKnaFgbUNIDE5Fr97DWzCUQSrNtCyiYVPkXAgjzbZ8SE6apFeFl1eOd5t6EzLn3zsEX_9Y8Lhapd330xibbb4JiRLte5nJMFZB6_DXM0KPyVYsIaZdV6r2Wrc9O8B2-JHU/s1600/_DSF1104.jpg" height="640" width="440" /></a></div>
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<span style="font-family: Times, Times New Roman, serif;"><span style="background-color: #f9f9fa; color: #333333; text-indent: 1px;"><span lang="EN-GB" style="color: #161614;"><br /></span></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-5083141749126248742014-10-14T14:57:00.000+02:002014-10-14T14:57:02.521+02:00La nueva versión de CARMEN, en el Teatro de la Zarzuela.<div style="text-align: center;">
<a href="http://teatrodelazarzuela.mcu.es/es/galeria-multimedia/imagenes">http://teatrodelazarzuela.mcu.es/es/galeria-multimedia/imagenes</a></div>
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<span style="background-color: white; color: #333333; font-family: Georgia, 'Times New Roman', Times, serif; font-size: 15px; line-height: 24px;">Que Carmen es una leyenda universal lo prueba el que una española y una taiwanesa levantaron desde ayer en el </span><a href="http://cultura.elpais.com/tag/zarzuela/a/" style="background-color: white; color: #016ca2; font-family: Georgia, 'Times New Roman', Times, serif; font-size: 15px; line-height: 24px; outline: none; padding: 2px 0px 1px; text-decoration: none;" target="_blank">teatro de la Zarzuela</a><span style="background-color: white; color: #333333; font-family: Georgia, 'Times New Roman', Times, serif; font-size: 15px; line-height: 24px;"> la historia de esta gitana andaluza con embrujo inmortalizada por franceses. A Ana Zamora, directora de escena, le fascina la transmutación de lo que fue concebido como una historia de amor en drama de género. A Yi-Chen Lin, maestra de 28 años, el mito de la mujer libre…</span><br />
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<a href="http://cultura.elpais.com/cultura/2014/10/10/actualidad/1412949905_565104.html">http://cultura.elpais.com/cultura/2014/10/10/actualidad/1412949905_565104.html</a></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #878787; font-family: Roboto, sans-serif; font-size: 11px; line-height: 17px; text-align: start;">María José Montiel interpreta a la protagonista de 'Carmen'. / </span><span class="firma" style="background-color: white; color: #999999; font-family: Roboto, sans-serif; font-size: 10px; line-height: 12px; text-align: start; text-transform: uppercase;">FERNANDO MARCOS<br /><br /></span></td></tr>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-60913876866890742902014-10-01T18:59:00.003+02:002014-10-14T15:02:35.513+02:00Publicación de los nuevos retratos del Staatsballett<div style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqX4QPhrfD-LhBLXl8pOe4lfJ1LRCD8bR2ZLgkod68hX6gLUgft3gPKAJFZJtN7lnStOjQN32xz_mUupiVO3jbnv8LCYlxn1PsZimcHCdA0gh2LxYPsaX8culRNIJm6q13R2Ad/s1600/aaaa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqX4QPhrfD-LhBLXl8pOe4lfJ1LRCD8bR2ZLgkod68hX6gLUgft3gPKAJFZJtN7lnStOjQN32xz_mUupiVO3jbnv8LCYlxn1PsZimcHCdA0gh2LxYPsaX8culRNIJm6q13R2Ad/s1600/aaaa.jpg" height="640" width="612" /></a></div>
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Ya están publicados en la web del <a href="http://www.staatsballett-berlin.de/en/ensemble/solisten">Staatsballett </a>los retratos que realizamos para su nueva imagen. Fué una locura "perseguir" por las salas de ensayo a los 80 bailarines e intentar captarlos en momentos de intensidad, concentración o "focus". Estuvimos cinco días para completar el trabajo, mientras yo realizaba las fotos <a href="http://www.enazul.com/">Cristina</a> iba emparejando y cotejando las imágenes con ellos para que no faltara ninguno, ardua tarea sin duda.</div>
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Se crearán carteles con cada uno de ellos, diseñados por Bernardo Rivavelarde.</div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Trebuchet MS, sans-serif;">"Yo pertenezco al Staatsballett". ©Diseño B. Rivavelarde ©Foto F. Marcos</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #141823; line-height: 19.3199996948242px; text-align: left;"><span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">Bailarín RISHAT YULBARISOV. ©Fernando Marcos.</span></span></td></tr>
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-29072623.post-86671318744343905642014-09-16T12:29:00.001+02:002014-09-16T13:26:57.215+02:00STAATSBALLETT. New magazine. Primeros pasos de una imagen nueva.<div style="text-align: justify;">
Una de las primeras cosas que ha hecho <a href="http://es.wikipedia.org/wiki/Nacho_Duato">Nacho Duato</a> al asumir la dirección del Staatsballett ha sido la de acometer un inmediato cambio de imagen. Acostumbrados durante diez años a mostrar una imagen más "normal", fría y a mi modo de ver muy "corta-pega" Duato no ha dudado en llamar al que había sido durante diez años su diseñador más importante en su etapa en la Compañía Nacional de Danza <a href="http://rivavelarde.com/">Bernardo Rivavelarde</a>, excelente diseñador y excelente persona, humilde, atributo muy a echar en falta en la creación contemporánea.</div>
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<tr><td class="tr-caption" style="text-align: center;">Portada del nuevo Magazine. Diseño ©Rivavelarde. foto ©Fernnado Marcos</td></tr>
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Meses después, justo antes del verano, Nacho Duato me propuso ser el fotógrafo al frente de esta nueva etapa y afrontar el desafío de un nuevo cambio de imagen en la compañía germana. Habiendo sido durante más de doce años su fotógrafo principal, y habiendo trabajado tanto tiempo con el diseñador, nuestro tándem tenía muchas probabilidades de funcionar.<br />
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En estas primeras sesiones de fotos en Berlín he realizado, junto a<a href="http://www.enazul.com/"> Cristina Moreno de Acevedo</a>, varias sesiones, como las que mostramos en estos dos posts y además la realización de los 120 retratos de todos los integrantes de la compañía, entre bailarines y staff, material que poco a poco ireé subiendo a este blog.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfswsWUr-cQG4BZAPpVWp-qtHNyqSg4v_7wVubuKGc-qcBy3ARHSsL6VP9H-JfAsQwBhK8N5IrsdrjqnK9OFuMeZ3tCWVOhsdIefLyvMDGPM4WSg30r74NqfMl3fGGvmdwZF0z/s1600/Captura+de+pantalla+2014-09-16+a+la(s)%2B12.39.17.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfswsWUr-cQG4BZAPpVWp-qtHNyqSg4v_7wVubuKGc-qcBy3ARHSsL6VP9H-JfAsQwBhK8N5IrsdrjqnK9OFuMeZ3tCWVOhsdIefLyvMDGPM4WSg30r74NqfMl3fGGvmdwZF0z/s1600/Captura+de+pantalla+2014-09-16+a+la(s)%2B12.39.17.png" height="640" width="476" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nacho Duato fotografiado en un pasillo. Esta imagen fue descartada por duplicidad de contenido.</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-62771327358109707762014-09-12T17:58:00.000+02:002014-09-16T12:43:26.527+02:00STAATSBALLETT de BERLÍN. Sesión de fotos para el nuevo Magazine.<br />
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Nacho Duato, <a href="http://www.staatsballett-berlin.de/en/" target="_blank">el nuevo director del Staatsballett de Berlín</a> -la compañía más grande de Alemania y la segunda de Europa, después de París- nos ha elegido para realizar un cambio total en la imagen de esta prestigiosa compañía.<br />
Su elección como director "absoluto" o "intendant" ha sido muy polémica, <a href="http://www.danzaballet.com/nacho-duato-nuevo-director-general-del-staatsballett-berlin/" target="_blank">como lo atestiguan los diferentes artículos y entrevistas que le han realizado</a>.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQSsmIU9f-PPrhbvgLIInG4Mx6elcXOPUB-wbuGSGrE0zZHL2Uyd3c78fDfy_DmOGk7gL4kx5UV67ApseNa3Ul4iXW954Oh9SUwnK_gNzNqeX0EcBPq6SCZyi5qyLcBMXhxT5E/s1600/_fmi3627.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQSsmIU9f-PPrhbvgLIInG4Mx6elcXOPUB-wbuGSGrE0zZHL2Uyd3c78fDfy_DmOGk7gL4kx5UV67ApseNa3Ul4iXW954Oh9SUwnK_gNzNqeX0EcBPq6SCZyi5qyLcBMXhxT5E/s1600/_fmi3627.jpg" height="360" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Federico Espallitta, Marina Kanno, Krasina Pavlova, Nicola del Freo, Kevin Pouzou, Sarah Mestrovich.</td></tr>
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El primero de los encargos fue una sesión de fotos para la nueva revista que han creado, aquí os dejo algunas de esas imágenes.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuVWdsBiJ_99zsFYP7YeL4NnzG3mEAs4FiH2Pxv2hG2-fb5viSllIj2qJr3hqQEvfH0o8N7b536Vf7_mXkyCz0MUsAQePa5WCCL1rYFtMOjaQYWAqQpHNRsfavDA7eeE35wx7P/s1600/_fmi3325.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuVWdsBiJ_99zsFYP7YeL4NnzG3mEAs4FiH2Pxv2hG2-fb5viSllIj2qJr3hqQEvfH0o8N7b536Vf7_mXkyCz0MUsAQePa5WCCL1rYFtMOjaQYWAqQpHNRsfavDA7eeE35wx7P/s1600/_fmi3325.jpg" height="640" width="460" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elisa Carrillo, Mikhail Kaniskin</td></tr>
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Algunas de las múltiples esculturas corpóreas que salen de la cabeza de este genio.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhatzO2HlZIwPJzup79oy65XRfUdV5xNiM3xXE4tV028rzDcYF8-__GsnY5vWHtI3OvfqzDrimRaBLiVvX4creQkaSYcURuOK7yGaPD5jrs2mA9ufa2LRSSqD4zFT1Ze9C32lBw/s1600/_fmi3356.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhatzO2HlZIwPJzup79oy65XRfUdV5xNiM3xXE4tV028rzDcYF8-__GsnY5vWHtI3OvfqzDrimRaBLiVvX4creQkaSYcURuOK7yGaPD5jrs2mA9ufa2LRSSqD4zFT1Ze9C32lBw/s1600/_fmi3356.jpg" height="430" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elisa Carrillo, Mikhail Kaniskin</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj3tEuBv6-Nd_aDE-gvTt1KfJxthJ9-CDp-YJmvN8ifK3Zp9remX08U_CRvh_jFPkywEnkcrMCqQAg0743CGBdRK7B61Vp2GiDSRg2uT4tt0o0cbLKkwaAMYQktmHSb_KPHkxz/s1600/_fmi3388.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj3tEuBv6-Nd_aDE-gvTt1KfJxthJ9-CDp-YJmvN8ifK3Zp9remX08U_CRvh_jFPkywEnkcrMCqQAg0743CGBdRK7B61Vp2GiDSRg2uT4tt0o0cbLKkwaAMYQktmHSb_KPHkxz/s1600/_fmi3388.jpg" height="640" width="456" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elisa Carrillo, Mikhail Kaniskin, Iana Salenko, Marian Walter.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh89IquldcO2ZxHLOcpqdFKv9utWRZQkuMfb0PR96kX5ft6dS9fgPj1a_BsWQoBT2OYajWJWIuOv8utWM7yahAY_hUXk64QY4paHkBeZaNP63Se-UCAgekW4PCw9j5jXEd29dt-/s1600/_fmi3437.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh89IquldcO2ZxHLOcpqdFKv9utWRZQkuMfb0PR96kX5ft6dS9fgPj1a_BsWQoBT2OYajWJWIuOv8utWM7yahAY_hUXk64QY4paHkBeZaNP63Se-UCAgekW4PCw9j5jXEd29dt-/s1600/_fmi3437.jpg" height="640" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mikhail Kaniskin, Marian Walter</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiKNpq6orQOfHKgrk80Z6-Puvlm9KdBaXS2Kd2UhFwMkUJbybPimvXtgrvXQmAipY24j7_87IoG8eGEA9rwQd_KGmdcwZTmsVkM2E3jzvvLc50uwBk-GIosRIMU2WZ8biiow-G/s1600/_fmi3645.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiKNpq6orQOfHKgrk80Z6-Puvlm9KdBaXS2Kd2UhFwMkUJbybPimvXtgrvXQmAipY24j7_87IoG8eGEA9rwQd_KGmdcwZTmsVkM2E3jzvvLc50uwBk-GIosRIMU2WZ8biiow-G/s1600/_fmi3645.jpg" height="482" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kevin Pouzou, Nicola del Freo, Federico Espallitta</td></tr>
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-29072623.post-58484851515616530842014-06-03T11:15:00.000+02:002014-10-01T19:03:26.212+02:00Multiplicidad, Formas de Silencio y vacío. London Coliseum. <span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span>
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Teatro Coliseum de Londres, con el Ballet del Teatro Mikhailovsky de San Peterburgo. Coreografía "Multiplity, Forms of Silence and Emptyness" de Nacho Duato.</span><br />
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Bailarina Polina Semionova.</span><br />
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Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-29072623.post-51791800634457355602014-05-26T14:06:00.000+02:002014-05-26T14:09:11.014+02:00Giovanni Antonini, Mojca Erdmann y mi Summicron 90.Presenciar un <a href="http://ocne.mcu.es/programacion/detalle-de-concierto/content/viajes-lejanos-ciclo-sinfonico-n-22/" target="_blank">concierto</a> en directo en el Auditorio Nacional de Madrid siempre es un placer, se convierte en un privilegio cuando un director como Giovanni Antonini y una soprano como Mojca Erdmann están tan cerca. Tener detrás a toda la Orquesta Nacional de España también ayuda en esa experiencia que, como fotógrafo me resulta difícil de explicar y sobre todo de fotografiar, por no decir que es imposible, simplemente imposible.<br />
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En alguna ocasión las fotografías las puedo tomar con mi pequeño y maravilloso objetivo Leica Summicron 90 f2, de enfoque manual, algo que complica un poco pero con paciencia y calma lo consigues. El tono, desenfoque y sobre todo las sutiles texturas que capta siempre me dejan cautivado.<br />
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Escribo este post coincidiendo con la publicación en DSLRMAGAZINE del interesantísimo artículo del maestro y amigo Valentín Sama sobre la <a href="http://www.dslrmagazine.com/profesional/tecnicas-y-eventos-profesionales/leica-park-leica-vuelve-a-su-cuna-para-crecer.html" target="_blank">inauguración del Leica Park</a>, os animo a leerlo y disfrutarlo.<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-83389074572264616732014-03-28T23:50:00.000+01:002014-03-28T23:50:18.890+01:00Kent Nagano. Elegancia.<span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: 12px; line-height: 19px;"></span><br />
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Ni un gesto de más</h2>
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Aquella tarde-noche del 30 de septiembre de 1986, en un concierto enmarcado en el Festival de Otoño de Madrid, tuvimos la ocasión de asistir al estreno en España de <em style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 12px; font-style: italic; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">San Francisco de Asís</em> de Olivier Messiaen. El compositor francés estaba en la sala. Y en el podio se situaba un joven y desconocido director de rasgos orientales llamado Kent Nagano, que había colaborado meses atrás con Seiji Ozawa en la preparación de la ópera. El recuerdo acude a nuestra memoria cuando el director norteamericano visita de nuevo España al frente esta vez de la Sinfónica de Montreal. Podremos volver a ver su enjuta y fina figura, su larga melena, su cimbreante forma de moverse, sin un gesto de más. Es artista de criterios objetivos, de planteamientos tímbricos diferenciados y de línea fraseológica concisa y transparente, minucioso, tranquilo, capaz de establecer y construir progresiones, de nimbar de luces variadas las exposiciones. </div>
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Nos da siempre Nagano una confortable sensación de ligereza, de elegancia contenida y justa. Sus texturas son aéreas pero firmes y es enemigo de cualquier exceso. Lo que puede ocasionar, a veces, una cierta falta de calor, de efusión. Una limitación que suele llevar ocasionalmente a la construcción de edificios sinfónicos exentos de ideal envergadura. Tal y como nos pareció aquella <em style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 12px; font-style: italic; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Quinta</em> de Mahler -compositor, como se ve, de sus preferencias-, ofrecida años ha en la capital y que vuelve a brindar ahora con la Orquesta Nacional de España. En Madrid ha dirigido asimismo otras grandes sinfonías, como la <em style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-family: inherit; font-size: 12px; font-style: italic; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Cuarta</em> de Bruckner. Carrera ya muy importante la suya. Tras pasar por la Sinfónica de Londres, la Ópera de Lyon, la Orquesta Hallé de Manchester, la Radio de Berlín y la Ópera de Baviera, Nagano domina hoy las falanges de Montreal y de Gotenburgo. </div>
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<span class="Apple-style-span" style="font-weight: normal;"><strong style="font-weight: bold;">ARTURO REVERTER</strong></span></div>
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</strong>Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-29072623.post-68526981350372218852014-01-15T12:35:00.003+01:002014-02-06T18:31:40.841+01:00David Afkahm. Nuevo director de la Orquesta Nacional de España.Siempre es un enorme placer fotografiar a la Orquesta Nacional de España. Poder hacerlo en el estreno de su nuevo director lo es aún más.<br />
Las energías y el carisma que trasmite este chico están fuera de toda descripción.<br />
Bienvenido seas a la OCNE y esperamos que para mucho tiempo.<br />
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<tr><td class="tr-caption" style="text-align: center;">Fotografías de los momentos finales de "Titán" de Mahler. Energía, emoción, el público de pié atónito ante lo escuchado ©Fernando Marcos. <a href="http://www.artefimero.es/">www.artefimero.es</a><br />
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<span class="Apple-style-span" style="font-size: large;">Un revulsivo </span><span class="Apple-style-span" style="font-size: large;">para la OCNE</span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">El director David Afkham impresiona con Mahler y hace brillar a Stutzmann.</span></span></div>
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<i><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">RUBÉN AMÓN / Madrid.</span></span></i></div>
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<i><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: x-small;">Publicado en la sección de Cultura de "EL Mundo", el día 14 de Enero del 2014.</span></span></i></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">"Podría decirse que este fin de semana tuvo lugar el concierto del año en el Auditorio Nacional de Madrid. Es verdad que esta impresión, más o menos eufórica, se resiente de que sólo llevábamos 12 días de 2014, pero no va resultar sencillo hacer la competencia al programa que dirigió David Afkham entre el viernes y el domingo.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Primero, porque fue capaz de poner el cartel de «no hay billetes» en tiempos de crisis y de saturación. En segundo lugar, porque su capacidad para estimular a los músicos de la Orquesta Nacional augura una relación fabulosa. Y en último término, porque el concierto alojaba la sensibilidad y la credibilidad artística de Nathalie Stutzmann.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Fue sobrecogedora su lectura de los </span></span><span style="font: 6.6px Times;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Wesendonck Lieder</span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">. Insistimos en la idea de la lectura porque la cantante francesa interiorizó las palabras del ciclo de canciones hasta darles el vuelo de una música sobrenatural, precursora de </span></span><span style="font: 6.6px Times;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Tristán e Isolda</span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">, curiosamente el mismo día en que se estrenaba la ópera de Wagner en el Teatro Real.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Ya sabemos que Stutzmann no tiene un instrumento poderoso ni voluminoso, pero la orquestación delicada de Henze y la concepción camerística de David Afkham redundaban en el enfoque intimista e intenso de la </span></span><span style="font: 6.6px Times;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">matinée </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">madrileña.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Impresionaba la oscuridad de la voz de Stutzmann. Lo hacía su implicación en los textos del propio Wagner, como si le dolieran el pesimismo y la desdicha del amor insatisfecho con que el compositor ger</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">mano exorcizó su relación con Mathilde Wesendonck o trató de concederle una oportunidad en el ámbito evanescente de la música.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Reaccionó el público con entusiasmo. Más lo hizo aún en el desenlace de la </span></span><span style="font: 6.6px Times;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Titán </span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">de Mahler, reconociendo los méritos de una versión corpulenta e imponente, sensible a los pasajes líricos y atenta a las claves vanguardistas, pero también exenta del sentimen- talismo y del edulcoramiento con </span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">que tantas veces se nos divulgan las sinfonías del compositor bohemo. Y quien dice bohemo dice apátrida, pues compartimos con Arnoldo Libermann la impresión del vacío identitario que retrataba el exilio de Mahler. Exilio geográ- fico, religioso y hasta psicológico, aunque no hemos venido exactamente a hablar de Mahler, sino a reconocer el acierto que implica el fichaje de David Afkham como revulsivo de la Orquesta Nacional.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;">Un director carismático y elegante, dotado del talento para comunicar, pro- visto de una personalidad y de una musicalidad que despiertan la misma fascinación entre los pro fesores de la ONE y entre los aficionados, puestos en pie estos últimos como quien reconoce la aparición de una figura mesiánica" Rubén Amón.</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><a href="http://ocne.mcu.es/">http://ocne.mcu.es/</a></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-22991872301625516672014-01-15T11:03:00.002+01:002014-01-15T12:41:15.851+01:00Diecisiete y por los pelos.<br />
Tengo una extraña fascinación por los pelos alborotados. En el año 2005, fotografiando la nueva pieza de Duato titulada "Diecisiete", capté esta foto de <a href="http://cndanza.mcu.es/es/elenco/bailarines-cnd/tamako-akiyama/item/5-bailarines-cnd/1-tamako-akiyama" target="_blank">Tamako Akiyama</a>, a mí me encantó en cuanto la vi pero tenía mis dudas de su utilidad para un cartel, programa de mano, etc,. Duato en cuanto la vio también lo tuvo claro, fue la imagen de la campaña.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXVpZ1d9P16xvjgcDuBd8AAEEJgzJI-OGHC4CdJ1d9Bth6TfWBsLu1hsTR4uD1Ovb2OF4W6D61mDXbv8tCedKxR1m2luJFfLpE3b76Y8ZXmVPRmIJiaGQHoRlmKyRBtHxPGL9a/s1600/tamako_pelos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXVpZ1d9P16xvjgcDuBd8AAEEJgzJI-OGHC4CdJ1d9Bth6TfWBsLu1hsTR4uD1Ovb2OF4W6D61mDXbv8tCedKxR1m2luJFfLpE3b76Y8ZXmVPRmIJiaGQHoRlmKyRBtHxPGL9a/s640/tamako_pelos.jpg" width="640" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj12tugOXMVHBQDUOLHAPfv8HHhtVAXshg3QKRApeXuk7eHsiPVRFhcETzkk56ofpNdeWk0XRyzXo64JfsdIMrbviw-Cx98dsRrtPqXdXJ3i1hXRdUx_du1wUlLGLySMiHYrPd_/s1600/_FMI5097.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj12tugOXMVHBQDUOLHAPfv8HHhtVAXshg3QKRApeXuk7eHsiPVRFhcETzkk56ofpNdeWk0XRyzXo64JfsdIMrbviw-Cx98dsRrtPqXdXJ3i1hXRdUx_du1wUlLGLySMiHYrPd_/s640/_FMI5097.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portada del programa de mano idéntica al cartel (más apaisado). Diseño de Bernardo Rivavelarde.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrILyGef8D6EXDjv09qZyrWEeUheGaaGRBIGQoK-IOp7gE_NxnbC376WcsorlCgG6mPKGNi1559PlqDs_2XX-imeVWew3YB_CQuSjNtJT3IBKunaFlBVDZQu60v4KMjskzqFrT/s1600/140114083.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrILyGef8D6EXDjv09qZyrWEeUheGaaGRBIGQoK-IOp7gE_NxnbC376WcsorlCgG6mPKGNi1559PlqDs_2XX-imeVWew3YB_CQuSjNtJT3IBKunaFlBVDZQu60v4KMjskzqFrT/s640/140114083.jpg" width="640" /></a></div>
Años más tarde en 2012, fotografía de otra bailarina oriental <span class="Apple-style-span" style="color: black;"><a href="http://cndanza.mcu.es/es/elenco/bailarines-cnd/item/114-seh-yun-kim" target="_blank">Seh-Yun-Kim</a>. ¡Otra vez por los pelos!</span><br />
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-29072623.post-37544362197631827402014-01-14T18:42:00.003+01:002014-01-15T11:20:16.298+01:00"Juramento", de Gaztambide. Por Emilio Sagi. <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8NzsMwQh77bBUrF-ZwtroAUIr1jzR_LJKCcyHzMZsXbAfU8tEl_QgqX_aFloOFkUUCxce2qM2kWhZWWNdHALGJv_HNDDHZpGpJAxqEfF_8NEcJfx4xGsPZ3Er2r8e0Wi-EUEZ/s1600/_DSF1772.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="442" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8NzsMwQh77bBUrF-ZwtroAUIr1jzR_LJKCcyHzMZsXbAfU8tEl_QgqX_aFloOFkUUCxce2qM2kWhZWWNdHALGJv_HNDDHZpGpJAxqEfF_8NEcJfx4xGsPZ3Er2r8e0Wi-EUEZ/s640/_DSF1772.jpg" width="640" /></a></div>
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<span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 12px; line-height: 19px;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTIStZcz-iGM0br0sqiJgSRtjnfBRPvCJZ2vJsuPQNoQAfEhBnrUH7sDqcbNQBJrJbQPu-zkFjLk_FerVM-cQH9HY5tkEwj9_2YlxdLlNwM_YE3c-bCYg4FIHjqY3w5whFq9c2/s1600/_FMI1530.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 12px; line-height: 19px;">Emilio Sagi y Miguel Ángel Gómez Martínez rescatan con esta obra el género chico, cuyo vestuario diseñó en 2000 Jesús del Pozo</span></div>
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<span class="Apple-style-span" style="color: #333333; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 12px; line-height: 19px;"><a href="http://cultura.elpais.com/cultura/2012/11/28/actualidad/1354127446_983814.html" target="_blank">Leed la excelente crítica de el País </a></span></div>
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-29072623.post-23942006198139061232013-07-08T18:18:00.000+02:002013-07-08T18:18:12.843+02:00Sorpresas encontradas.<div class="separator" style="clear: both; text-align: center;">
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Siempre es un placer encontrar algunas fotos de nuevo, sobre todo cuando todos los archivos originales hace tiempo que se perdieron en un traidor disco duro. El trabajo de casi un año desaparecido, difuminado en algún lugar inaccesible. Revisando mails enviados me encuentro de nuevo con estas imágenes, metáfora de lo que fueron. Desaparecidas las fotos y desaparecidos los bailarines de la CND. Algo es algo.<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-44341675515361831212013-04-27T13:19:00.000+02:002014-06-03T11:15:51.662+02:00Polina Semionova<div class="separator" style="clear: both; text-align: center;">
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Fotografías de una parte del ensayo de "Multiplicidad, formas de Silencio y Vacío", de Nacho Duato.<br />
Con la excelente bailarina rusa Polina Semionova. Compañía del Teatro Mikhailovsky. Londres.<br />
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<a href="http://www.theartsdesk.com/dance/nacho-duato-mikhailovsky-ballet-london-coliseum">http://www.theartsdesk.com/dance/nacho-duato-mikhailovsky-ballet-london-coliseum</a><br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-81592784997170588962012-10-10T13:05:00.001+02:002012-10-10T13:09:30.382+02:00Exposición en la Real Academia de BBAA de San FernandoCon motivo del estreno de la Zarzuela "Ay Amor", de Herbert Wernicke", el Teatro ha organizado una exposición conjunta de la obra de Julio Romero de Torres y la escenografía de la obra. He realizado una fotografia de casi 4x4 metros de una de las escenas principales del espectáculo.<br />
Exponer junto a Julio Romero es todo una experiencia. La foto la realizamos en un ensayo especial para la ocasión y utilizamos un respaldo digital de 40 megapíxeles.<br />
La impresión en papel fotográfico y el montaje, en tres paneles, lo realizó Imágendecor. Excelente trabajo.<br />
Aún se puede visitar hasta el 21 de Octubre.<br />
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<a href="http://teatrodelazarzuela.mcu.es/es/temporada/otras-actividades/exposicion-julio-romero-de-torres">http://teatrodelazarzuela.mcu.es/es/temporada/otras-actividades/exposicion-julio-romero-de-torres</a><br />
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<br />Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-29072623.post-87729914543636288572012-10-03T11:54:00.000+02:002012-10-03T11:56:26.978+02:00Centenario del Hotel Palace, homenaje colectivo.Este año el mítico hotel Palace de Madrid celebra su centenario. Con motivo de tan solemne fecha nos han invitado a los fotógrafos que hemos expuesto allí a realizar una interpretación personal del hotel. Las fotografías podrán ser contempladas allí desde hoy hasta finales de año.<br />
Mi idea inicial para la foto era utilizar el pasillo y la puerta de entrada de una habitación para mostrar el rechazo de una bella chica con lo que se encuentra dentro, pero en cuanto me enteré de que debajo de esos maravillosos salones existía un "infra-mundo" no dudé en bajar a explorarlo, decidí que ésa iba a ser la foto.<br />
Os muestro el resto de las fotos realizadas allí y un enlace del periódico "El País" sobre la exposición.<br />
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<a href="http://ccaa.elpais.com/ccaa/2012/10/02/madrid/1349208664_534404.html">http://ccaa.elpais.com/ccaa/2012/10/02/madrid/1349208664_534404.html</a><br />
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<br />Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-29072623.post-18739219398037579372012-06-20T11:05:00.001+02:002012-06-20T11:16:11.136+02:00"Sinfonía de los Salmos", de Kylián.Otra de las maravillas que se pueden ver en e Teatro de la Zarzuela de Madrid.<br />
<span class="Apple-style-span" style="color: #888888; font-family: Arial, Helvetica, sans-serif; font-size: 13px;">Con Ana López, Stéphanie Dalphond, Luisa Maria Arias, Hee-yonn Choi, Jessica Lyall, Agnes López, nandita Shankardass, Inés Pereira, Allie Papazian, Clyde Archer, Michael Carter, Jean Philipppe Dury, Allan Fallieri, Daan Vervoort, Erez Ilan, Gabriel Barrengoa, Alex Mañé, </span><br />
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Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-29072623.post-72539489475304661112012-06-18T20:24:00.005+02:002012-06-18T20:24:56.377+02:00Petit Mort, de Jirì Kylián.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKrE3x7L17DrYuoYXIsS_z6RE0i3qVLtiz-sZMkuxpfExhZBBvYqpFKK3LXR9k1C2SLIQSwWGJfJGm1VhniK0t-yorQ3zf6QOweBFh8FABJd0MZ8S4fFF9l2gIf-nGSyaL-amw/s1600/_FMI6827.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKrE3x7L17DrYuoYXIsS_z6RE0i3qVLtiz-sZMkuxpfExhZBBvYqpFKK3LXR9k1C2SLIQSwWGJfJGm1VhniK0t-yorQ3zf6QOweBFh8FABJd0MZ8S4fFF9l2gIf-nGSyaL-amw/s640/_FMI6827.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fernando Carrión.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO9v8ShyXbiqv2Yauk6zeZkLSJHkODnM6I8Y0Arvx0YcdY1YgiH5DkrIi_rnu-al8WJt14XM71MtxjBvt8mjuk6xoQHJfD3r2oOBMf71LWL9KZbZ-n1994qJAWHX7VTuDcOV9q/s1600/_FMI6833.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="620" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO9v8ShyXbiqv2Yauk6zeZkLSJHkODnM6I8Y0Arvx0YcdY1YgiH5DkrIi_rnu-al8WJt14XM71MtxjBvt8mjuk6xoQHJfD3r2oOBMf71LWL9KZbZ-n1994qJAWHX7VTuDcOV9q/s640/_FMI6833.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Doron Perk.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Lucio Vidal</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6r0LzAQgdP_QwEzvGSKeCdBRe6EHwvc07dOmwq4EcHz8G9JadXSjIyrvK2bdKRw2QLVF_KYt-_Zc9VRer3gMn82DGQ2pXAFaadmOYXg_xeJeCLd3EMYLRfI2quX5Xqprnakmh/s1600/_FMI6877.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6r0LzAQgdP_QwEzvGSKeCdBRe6EHwvc07dOmwq4EcHz8G9JadXSjIyrvK2bdKRw2QLVF_KYt-_Zc9VRer3gMn82DGQ2pXAFaadmOYXg_xeJeCLd3EMYLRfI2quX5Xqprnakmh/s640/_FMI6877.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Doron Perk</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcu4yZzKGBVnpjBChv1HUCXQY0zKbZVFDIiHQ_AQSbisy11ftBixANVTxaSUuSkE-nPPDmU0BWypmzV9nLDe21DzESrLTpH0JxkXSTOjl0BS5C0VIuk0wIOQRgUlYGL8be9ZP/s1600/_FMI6886.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpcu4yZzKGBVnpjBChv1HUCXQY0zKbZVFDIiHQ_AQSbisy11ftBixANVTxaSUuSkE-nPPDmU0BWypmzV9nLDe21DzESrLTpH0JxkXSTOjl0BS5C0VIuk0wIOQRgUlYGL8be9ZP/s640/_FMI6886.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jessica Anne Lyall y Pancho Lorenzo.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPDrfQglH9LMxyhkOZkFxrisV-U5rpXzeolpJ56_Zbmt-6xPR0B9qafzBHl4i6GmM7gp98DzLra08ffcwTxoypbI22N1_wSTPo3MNPt9ws3GPAGo0dVn5pcKmmneoFondziFaT/s1600/_FMI6887.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPDrfQglH9LMxyhkOZkFxrisV-U5rpXzeolpJ56_Zbmt-6xPR0B9qafzBHl4i6GmM7gp98DzLra08ffcwTxoypbI22N1_wSTPo3MNPt9ws3GPAGo0dVn5pcKmmneoFondziFaT/s1600/_FMI6887.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jessica Anne Lyall y Pancho Lorenzo.</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYYX3pZpCq-HOR2DdHqtFZWalgCiMEtY7U96J4zXqxNODU-dDl7AWVF2Rap9jwEH_AsmZEyFlw8xLbJCHXqlDNODolb4wGCrWDQjRTIGIYKBmCljzy3-Pdf_6tWqP5gq-yNEeR/s1600/_FMI6913.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYYX3pZpCq-HOR2DdHqtFZWalgCiMEtY7U96J4zXqxNODU-dDl7AWVF2Rap9jwEH_AsmZEyFlw8xLbJCHXqlDNODolb4wGCrWDQjRTIGIYKBmCljzy3-Pdf_6tWqP5gq-yNEeR/s640/_FMI6913.jpg" width="622" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tamako Akiyama y Fernando Carrión.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7IOjSf-PWSPbNHUkKi1imMZWV-gDu6HYRYYMXrEU2ET0SF1K59_1Tz14RNy-feodK6A_867rdY7xVteuJPBXfCihAR2CS4Jq_jFuTyRwa6OwruXh0rbrRjanbfohR0NmFdlmo/s1600/_FMI6924.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7IOjSf-PWSPbNHUkKi1imMZWV-gDu6HYRYYMXrEU2ET0SF1K59_1Tz14RNy-feodK6A_867rdY7xVteuJPBXfCihAR2CS4Jq_jFuTyRwa6OwruXh0rbrRjanbfohR0NmFdlmo/s640/_FMI6924.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jessica Anne Lyall</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14DAtvCUlOhPrRehHAXyvsxv4jy2S1z_6N3dBCyPQhMj1OvjIsneNzvbJBFHRwpEvZ4zX4h2nOtkxnBtwJcKhNDumb2x1QtJttwRHNsUM2_MKGe6Wg6ARHNje230bqt7bDZQE/s1600/_FMI6926.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14DAtvCUlOhPrRehHAXyvsxv4jy2S1z_6N3dBCyPQhMj1OvjIsneNzvbJBFHRwpEvZ4zX4h2nOtkxnBtwJcKhNDumb2x1QtJttwRHNsUM2_MKGe6Wg6ARHNje230bqt7bDZQE/s640/_FMI6926.jpg" width="530" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Luisa María Arias y Lucio Vidal.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBHvgKGap4F_5h9Nzbc8oKFDAX9I5OhfYHbLA25faDCEuP-qbVymjNyPL2vF49Ashm9gbYDk91y80R_SJfc_RCTrVLyXgpcKks96o8_os7bV9L6kiPyDger7Yt2aFuB3HsLad4/s1600/_FMI6933.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBHvgKGap4F_5h9Nzbc8oKFDAX9I5OhfYHbLA25faDCEuP-qbVymjNyPL2vF49Ashm9gbYDk91y80R_SJfc_RCTrVLyXgpcKks96o8_os7bV9L6kiPyDger7Yt2aFuB3HsLad4/s640/_FMI6933.jpg" width="600" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Luisa María Arias y Lucio Vidal.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRa8SfHzhq9GHCB3MBi6hZs_Ihno_KwVsm1WK0zAyPwG8KKbEnbR172FXL8tJbmQglWCkvCX-FE4NlO-6FxQpX5m9_av2uiSd39J7NUvVIyCEasGTZpOBuEZFxrqkam0pDdsB0/s1600/_FMI6954.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRa8SfHzhq9GHCB3MBi6hZs_Ihno_KwVsm1WK0zAyPwG8KKbEnbR172FXL8tJbmQglWCkvCX-FE4NlO-6FxQpX5m9_av2uiSd39J7NUvVIyCEasGTZpOBuEZFxrqkam0pDdsB0/s640/_FMI6954.jpg" width="536" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kayoko Everhart y Joel Toledo.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEC3c3jBubBftOXqiAfLvrAKcUS0BXQp_mRNg6386JROhl2j371w5oNLikG1Nfrx_ULwIrDSWlhEzsHQvt7lJHIVz3Q0c9S52hL9_Pjcwtw_L-BIL0mrZXuHKfwJPEUFf_ara1/s1600/_FMI6967.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEC3c3jBubBftOXqiAfLvrAKcUS0BXQp_mRNg6386JROhl2j371w5oNLikG1Nfrx_ULwIrDSWlhEzsHQvt7lJHIVz3Q0c9S52hL9_Pjcwtw_L-BIL0mrZXuHKfwJPEUFf_ara1/s640/_FMI6967.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ana María López.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib25wuzAuFK4Qg_TtS7iHMUjeZUzrlXPKPahQ-1YPijvFD8Koc1GksyK2haBlE2c1F0wqsWbFtAv6EiQhAzFXhvERjHLsMFomAIR4RToJnjNMshyapqI9e2M8uIOS-MKydVTdB/s1600/_FMI6981.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib25wuzAuFK4Qg_TtS7iHMUjeZUzrlXPKPahQ-1YPijvFD8Koc1GksyK2haBlE2c1F0wqsWbFtAv6EiQhAzFXhvERjHLsMFomAIR4RToJnjNMshyapqI9e2M8uIOS-MKydVTdB/s640/_FMI6981.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ana María López e Isaac Montllor.</td></tr>
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<br />Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-29072623.post-50369318400236836122012-06-12T14:53:00.002+02:002012-06-18T20:05:51.295+02:00Artículo en elmundo.esHoy han publicado un artículo en la versión digital del periódico El Mundo, realizada por Virgina Hernández Rueda, excelente periodista. En el video podéis ver a Jose Carlos Martínez, el director de la CND junto a Sthèphanie y Jean Philippe, excelentes bailarines y protagonistas de varias de mis imágenes. Todo un lujo tener a estos contertulios al lado de mis fotos, en tan insigne salón del Palace. Gracias a todos por apoyarme.<br />
<br />
<span class="Apple-style-span" style="font-family: monospace;"><a href="http://www.elmundo.es/elmundo/2012/06/11/ocio/1339419338.html">http://www.elmundo.es/elmundo/2012/06/11/ocio/1339419338.html</a></span><br />
<span class="Apple-style-span" style="font-family: monospace;"><br /></span><br />
<span class="Apple-style-span" style="font-family: monospace;"><a href="http://www.elmundo.es/albumes/2012/06/11/geometrias/index.html">http://www.elmundo.es/albumes/2012/06/11/geometrias/index.html</a></span><br />
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<span class="Apple-style-span" style="font-family: monospace;"><br /></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29072623.post-30325458912274146522012-06-01T22:48:00.001+02:002012-06-01T22:51:56.980+02:00Miradas 2 de TVE.Aqui os dejo el enlace de una pequeña entrevista que me hicieron los de Miradas 2, de TVE.<br />
El programa completo es interesante, como casi todo lo de la 2 de TVE, un ejemplo de honestidad y buenos contenidos. Por si alguien quiere simplificar salgo en el minuto 5,50s.<br />
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<a href="http://www.rtve.es/alacarta/videos/miradas-2/miradas-2-26-05-12/1421309/">http://www.rtve.es/alacarta/videos/miradas-2/miradas-2-26-05-12/1421309/</a><br />
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<br />Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-29072623.post-83939484293016381272012-05-22T13:45:00.000+02:002012-05-22T13:47:31.691+02:00Una Noche con Kylián.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbn72iui92e8UzdwM7IXeOmetzzG8wio-ABDNcA_i9Vebxocc9JgKgnb3pxwzbN_JccD3ABgi_KAO-YkZyM-VZ1-LOs2h2wLWmZm_HCHznLSXa-P1PxnAx24HVYSXQoUa7X8fL/s1600/475158_10150842774466298_148410441297_9939015_960550861_o.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbn72iui92e8UzdwM7IXeOmetzzG8wio-ABDNcA_i9Vebxocc9JgKgnb3pxwzbN_JccD3ABgi_KAO-YkZyM-VZ1-LOs2h2wLWmZm_HCHznLSXa-P1PxnAx24HVYSXQoUa7X8fL/s640/475158_10150842774466298_148410441297_9939015_960550861_o.jpg" width="462" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Allan Falieri, con vestuario de Petite Mort</td></tr>
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</h2>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-29072623.post-50392805494042886652012-05-19T21:00:00.000+02:002012-05-20T09:09:59.407+02:00Exposición en el Hotel Palace de Madrid.<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Os invito a visitar mi nueva exposición "Cinematografías y Geometrias de la Danza", dentro del festival <a href="http://www.phe.es/es/phe/exposiciones/2/otras_salas/36/cinematografias_y_geometrias_de_la_danza" target="_blank">PhotoEspaña 2012</a> en el <a href="http://www.westinpalacemadrid.com/es/bar-hotel-palace-madrid" target="_blank">Hotel Palace</a> del centro de Madrid. El sitio tiene todo el encanto del mundo, de acceso gratuito y trato exquisito.</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Un café o una copa en este lugar, acompañado por los bailarines de la CND, ¡maravilloso!</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Estará tres meses, hasta el 7 de Septiembre.</span><br />
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<br /></h2>Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-29072623.post-57923395879138216732012-01-22T12:38:00.007+01:002012-05-20T14:17:37.698+02:00Loewe. "Danse la Danse"<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhomIIAbGqv-OiN67edIcowd3Jc16nl4sXJriC0DgcjH5i-KWxpYr4Y6n1fae2uNmaY5itbExRd2lPTHsMx9Vz7IQqQGMSElMc0u4v5iWJhQqJim2jPcbdHCGy42QH5ZvZaLgPI/s1600/_MG_9397.jpg"><img alt="" border="0" height="426" id="BLOGGER_PHOTO_ID_5700424679069646498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhomIIAbGqv-OiN67edIcowd3Jc16nl4sXJriC0DgcjH5i-KWxpYr4Y6n1fae2uNmaY5itbExRd2lPTHsMx9Vz7IQqQGMSElMc0u4v5iWJhQqJim2jPcbdHCGy42QH5ZvZaLgPI/s640/_MG_9397.jpg" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL1ldE7YBSjStbz3rwkS4tbWmsLXN6LwqXRUe_uA0smBhwcfvz2YH2g98gtkcNMj8EUkQRmyWX7tsYQh1AbVWWmBhoDfjwZyefDIO6S0J9zv3-KvVH-r11b_RqNVqZzIbgJDAQ/s1600/_FMI2482.jpg"><img alt="" border="0" height="496" id="BLOGGER_PHOTO_ID_5700424676846405010" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL1ldE7YBSjStbz3rwkS4tbWmsLXN6LwqXRUe_uA0smBhwcfvz2YH2g98gtkcNMj8EUkQRmyWX7tsYQh1AbVWWmBhoDfjwZyefDIO6S0J9zv3-KvVH-r11b_RqNVqZzIbgJDAQ/s640/_FMI2482.jpg" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXqz_QKEFuQ-SXpqUmNcRZa-izMdck0PWF4X9XtQQr9OWYzb7EJgyh1UhP5LRcnJt-hJAebmWonK93c1m0kkihi3xBZmLZFzI8QC5DzpyH87Qb6QpthrdOHXgcyPDI4KRzUEw4/s1600/_FMI2485.jpg"><img alt="" border="0" height="440" id="BLOGGER_PHOTO_ID_5700424666985333330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXqz_QKEFuQ-SXpqUmNcRZa-izMdck0PWF4X9XtQQr9OWYzb7EJgyh1UhP5LRcnJt-hJAebmWonK93c1m0kkihi3xBZmLZFzI8QC5DzpyH87Qb6QpthrdOHXgcyPDI4KRzUEw4/s640/_FMI2485.jpg" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhO-4o0DPiNrQzDN9wzzehZfNqjDFmKefQDf_p6Cj3jq1fJaBWlegaLPujBA5l1LxtN91ZHgCjOj-zhPdbIW09ep0YNlPHbK5VshuHogbQsgjsmOdAdwMbQkal5XCrHXCp9Tg6/s1600/_FMI2489.jpg"><img alt="" border="0" height="441" id="BLOGGER_PHOTO_ID_5700424651608992450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhO-4o0DPiNrQzDN9wzzehZfNqjDFmKefQDf_p6Cj3jq1fJaBWlegaLPujBA5l1LxtN91ZHgCjOj-zhPdbIW09ep0YNlPHbK5VshuHogbQsgjsmOdAdwMbQkal5XCrHXCp9Tg6/s640/_FMI2489.jpg" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl2F0byB0SiGwBTVXFbydgxY29KPpskqCOXSwt3_4XxaARFtHu3FBS-eqgwTaCTercU58-q02QJjBPI7SCbu8Gorwcn4oejWC6J5zbUiuKDZ_Ax1Yaej1wdZqFPXISkJrjMPmb/s1600/_FMI2490.jpg"><img alt="" border="0" height="427" id="BLOGGER_PHOTO_ID_5700424647672801426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl2F0byB0SiGwBTVXFbydgxY29KPpskqCOXSwt3_4XxaARFtHu3FBS-eqgwTaCTercU58-q02QJjBPI7SCbu8Gorwcn4oejWC6J5zbUiuKDZ_Ax1Yaej1wdZqFPXISkJrjMPmb/s640/_FMI2490.jpg" style="display: block; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center;" width="640" /></a><br />
<h3>
<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">
Loewe ha estrenado en el Círculo de Bellas Artes de Madrid el excelente documental del director francés Alain Deymier sobre la última gira de Nacho Duato en Rusia con la Compañía Nacional de Danza. El documental no tiene desperdicio, es maravilloso y muy cercano, siendo los bailarines grandes protagonistas, ¡por fin!.</span></span></span></h3>
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<h3>
<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">
Paralelamente se ha inaugurado en la tienda de Gran Vía una exposición con mis fotografías sobre algunas de las piezas de Nacho Duato, un lujo de fotos en un lujo de espacio. Permanecerá hasta mediados de Febrero.</span></span></span></h3>
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<h3>
<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">
Os dejo un link en Vimeo sobre el documental.</span></span></span></h3>
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<a href="http://vimeo.com/29283442">http://vimeo.com/29283442</a></div>
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<br /></div>Unknownnoreply@blogger.com5